Kendrick lamar albums from worst to best11/10/2022 ![]() (Super producer Pharrell recently likened Lamar to Bob Dylan). That good kid exists, and has been so well received by those both within the hip-hop world and out, is a wonder. A parable of trying to survive a neighborhood divided by colors and a city too caught up in its own vanity to care what happens to you, it's Los Angeles portraiture as it should be: raw, unflinching, flawed. On Monday the headlines poured in: Grantland called good kid "the best rap album of the year" and proclaimed it "surpasses the unprecedented anticipation with its compelling, lucid storytelling." Good kid is everything the critics have labeled it: poetic and haunting, a clear-eyed tale of a young black kid navigating the trappings of Compton, the predominantly African American enclave made notorious by pioneering rap camp N.W.A. ![]() The last truly autobiographical rap album to rank high on Billboard's year-end Top 200 was Game's The Documentary in 2005 at No. city earlier this week, enters the storied league of rap autobiographers. Add to the list 25-year-old Kendrick Lamar who, with the release of good kid, m.A.A.d. Jay-Z, who thugged his way through, soon filled the void with a new era of hip-hop cool: "I'm not a businessman / I'm a business, man." There have been others: Eminem, the prodigious rapping rarity, and Kanye West, who rhapsodizes with equal parts machismo and vulnerability. rapped before going out in a haze of bullets and blood. "Birthdays was the worst days/ Now we sip champagne when we thirst-ay," B.I.G. For another generation, it was 2Pac and B.I.G., vanguards to a definitive era in music history, titans who chronicled black manhood with a steely bravado. "I was a fiend before I became a teen/ I melted microphone instead of cones of ice cream," Rakim declared, drawing parallels between his affinity for rap and the crack-ravaged urban communities of 1980s New York City. & Rakim offered street portraiture like few could. said it best: "I got a story to tell." Autobiography-the true, unforgiving, sometimes-hard-to-swallow stories-has always been central to hip-hop's narrative. ![]() ![]() Fiction: Kendrick Lamar and Rick Ross (AP Images) ![]()
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